Every screenplay should have three types of conflict, and if you are missing just one of these your screenplay will miss the mark. In a good script all three are interwoven and inseparable when reflecting the theme of the story.
If you think every screenplay needs to be set in a story world you’re wrong. It needs to be set in two story worlds. And the further apart those two worlds are the better. There are at least eight elements that make up a story world To make use of this in your …